Chapter 6

By the time Dana found the former caseworker, Emily had started to hate the sound of her own phone.
It rang in Dana’s office, its bright chime cutting across the quiet. Emily flinched, then turned it facedown on the desk.
“You can leave it there,” Dana said. “Ms. Keene is ready.”
The retired caseworker sat across from them, a silver-haired woman in a green cardigan, hands folded around a paper cup. Her eyes moved from Emily to Nathaniel and stopped.
“I agreed to speak with Emily,” she said. “Not the Whitcombs as a family.”
Nathaniel’s jaw tightened, but he nodded. “Understood.”
Emily held her hands together beneath the table. “I don’t want private details about the girls. I just need to know why their file went quiet.”
Ms. Keene looked at her for a long moment. “Because someone made sure it would.”
The words landed harder than Emily expected.
Ms. Keene said she remembered the case—not every form or date, but the arrival of three newborns together, and the lawyer who came afterward. He had been polished, calm, and very sure that nobody should follow the family line.
“He said there was no suitable relative placement,” Ms. Keene continued. “Then he asked that the birth family remain undisclosed and that no relatives be contacted.”
“Did he have authority to demand that?” Dana asked.
“No. But he had the Whitcomb name, and he knew how to make a request sound like an order.”
Nathaniel leaned forward. “Do you remember the lawyer’s name?”
“I do.” Ms. Keene didn’t offer it. “But I’m not opening a sealed record in a room full of people. I’ll give my statement to the appropriate investigator. I won’t turn three little girls into evidence for whoever shouts loudest.”
Emily felt her throat tighten. “Thank you.”
Ms. Keene’s expression softened, though her voice stayed firm. She would protect the girls’ privacy. She would not hand over names or details from a closed file. But one fact, she said, had never left her mind: the children’s birth mother had died shortly after delivery.
Emily heard the scrape of Nathaniel’s chair.
“Did the family know?” he asked.
“I don’t know what the family knew.” Ms. Keene looked directly at him. “I know a lawyer intervened so nobody would go looking.”
Outside, a cold wind pushed rain against the office windows. Nathaniel walked beside Emily to Dana’s front steps, the sealed envelope from Evelyn’s room hidden inside his coat.
“You’re thinking of my sister,” he said.
“I’m thinking about three girls who were made to grow up without knowing why no one came for them.”
He glanced down at the envelope through the fabric, as if it could burn him. “I’m not opening it without you.”
Emily wanted to ask what the handwriting looked like, what he remembered of Evelyn, what his father had done. Instead, she looked at the rain gathering along the curb.
“Find out what your family said happened,” she told him. “Not what they want you to repeat.”
Nathaniel nodded once and left.
Back at the Whitcomb estate, he found the death certificate in the cardboard box he’d left open. It had been folded behind a stack of old correspondence. For a moment, the official seal meant nothing. Then he saw Evelyn’s name.
He sat on the floor beneath the bare patch of wall where her photograph had been.
The certificate gave one date of death. The family memorial program—the one with Evelyn’s name crossed out—gave another. Nathaniel knew the date printed there. He had repeated it for years without once wondering why the family had chosen it.
He read the certificate again. His hands had gone cold.
Downstairs, a door closed. His father was still in the house.
Nathaniel slid the paper into his coat beside Evelyn’s sealed envelope and stood. He could confront Arthur now. He could demand the meaning of the dates, the lawyer, the girls.
But he could already hear his father’s answer: enough.
Across town, Emily was halfway to the preschool when an unfamiliar number appeared on her phone. The message contained no name, only a photograph and a line of text.
By tonight, this will be public. You can still decide how much damage you want.
Emily pulled into a parking space and opened the image.
For a breath, she couldn’t move. It showed Tess alone beside a curb, one hand lifted toward the camera, while Emily’s car appeared to be pulling away. The light on the car was bright and warm; the light around Tess was flat and gray. Tess’s face was too sharp, her shadow angled the wrong way.
A fake. A cruel one.
Emily’s fingers tightened around the phone until the edge bit her palm. The photograph made her look like a mother who could drive away from her own child.
She could already imagine strangers staring at it. Imagining was easy. Explaining, she knew, would never be enough for people who preferred the picture.
At the preschool, she went straight to the director’s office. Ms. Alvarez looked up from her desk, then stood.
“Emily. Are you all right?”
“I got a message.” Emily took one breath, but it didn’t steady her. “Someone has a picture that makes it look like I left Tess alone. It’s been altered. I’m not sure who they’re sending it to.”
Ms. Alvarez came around the desk. “Do you want me to see it?”
Emily held up the phone, then lowered it again. “I’m afraid if I show it to you, you’ll look at me differently.”
The director’s face changed—not with suspicion, but hurt on Emily’s behalf.
“I’ve watched you notice which girl is quiet before anyone else does,” she said. “I’ve watched you come back for the lunchbox you forgot, and bring three different coats because those three girls never agree about the weather. A stranger’s picture doesn’t erase what I know about you.”
Emily’s eyes burned. She blinked hard, unwilling to cry in an office with bright alphabet letters on the wall.
Ms. Alvarez reached for a tissue and set it beside her, not pushing it into her hand.
“You don’t have to prove you love them to me.”
The phone on Ms. Alvarez’s desk chimed.
She glanced at her monitor. Her expression shifted.
“Emily,” she said quietly. “I just received an email.”
Emily’s stomach dropped.
Ms. Alvarez turned the screen toward her. The same photograph filled the message window, attached beneath a subject line that read: CONCERN FOR THE CHILDREN.
May you like
Emily opened her mouth.
The preschool director was already looking at the image.